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Posted: 2025-04-29 17:37:33 UTC
This article contains some claims that remain unverified. While much of the content may be accurate, exercise care when relying on this information.
This article contains some claims that remain unverified. While much of the content may be accurate, exercise care when relying on this information.
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Last Updated
2025-04-29 17:37:53 UTC
Verified By
Rollup News
The cover art 'The First 100' by Barry Blitt for The New Yorker depicts the Statue of Liberty sitting dejectedly behind bars, with tally marks on the wall representing the first 100 days.
Satirical commentary on the 'first 100 days'
Visual metaphor for restriction or confinement
Symbolic representation of the Statue of Liberty's emotional state